Moten is a MacArthur Fellow, a Guggenheim Fellow and a member of the American Academy of Arts and Sciences. In addition to his long-term collaboration with Harney, Moten is engaged in ongoing work with critic Laura Harris, artist Wu Tsang and musicians Gerald Cleaver and Brandon López.
He is concerned with social movement, aesthetic experiment and black study and has written a number of books of poetry and criticism, the latest of which, written with Stefano Harney, is All Incomplete (Minor Compositions/Autonomedia, 2021). Moten helps us feel the difference between real beauty of spirit and its impersonations, by uniting style, rigor, and form so seamlessly that the lesser musics will simply be forgotten.įred Moten works in the Departments of Performance Studies and Comparative Literature at New York University. 20, 2021 There were plenty of memorable moments from Wednesdays presidential inauguration, from Ella Emhoffs glitzy Miu Miu coat that nearly shattered fashion Twitter to Jennifer Lopez. These poems are celebrations and performances of Black vernacular culture’s transformative power, performances of celebration in the root sense of the Latin celebrare (honor), the honoring of culturally specific meaning-making, speech acts that explore the multiple significances manifest in historical patterns and their breaking. Her work has been featured in Vogue, Marie Claire. In perennial fashion presence falling, Moten approaches the sublime, relishing that intermediary space of microtonal thought. is an award winning lifestyle & travel blog written by journalist, Annie Vazquez. Poems beget poems, overflowing and flowering, urging deeper etymological investigations. Within this collection, the poems hold an innate quantum curiosity about the infinitude of the present and the ways in which one could observe the history of the future. Much like the poems found in The Feel Trio (Letter Machine 2014), which was a National Book Award finalist, and All That Beauty (Letter Machine, 2019), the poems here present Moten’s “shaped prose” on the page and the dizzying brilliance of both polyphonies and paronomasia. So writes poet, critic, theorist, and MacArthur fellow Fred Moten in his latest poetry collection perennial fashion presence falling. “.some ekphrastic evening, this’ll be both criticism and poetry and failing that fall somewhere that seems like in between.”
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